![]() Their manner was elitist, erudite, and sophisticated. They resurrected the classical values of unity and proportion and saw theirĪrt as a way to entertain and inform, a depiction of humans as social creatures, as part of polite society. ![]() Their clothes were complicated and detailed, and their gardens were ornately manicured and geometrically designed. Additionally, they sought to achieve a sense of refinement, good taste, and correctness. ![]() In style, neoclassicists continued the Renaissance value of balanced antithesis, symmetry, restraint, and order. In part as a reaction to the bold egocentrism of the Renaissance that saw man as larger than life and boundless in potential, the neoclassicists directed their attention to a smaller scaled concept of man as an individual within a larger social context, seeing human nature as dualistic, flawed, and needing to be curbed by reason and decorum. Seventeenth-century and eighteenth-century Neoclassicism was, in a sense, a resurgence of classical taste and sensibility, but it was not identical to Classicism. Neoclassical writers modeled their works on classical texts and followed various esthetic values first established in Ancient Greece and Rome. ![]() Regarding English literature, the Neoclassical Age is typically divided into three periods: the Restoration Age (1660-1700), the Augustan Age (1700-1750), and the Age of Johnson (1750-1798). In England, Neoclassicism flourished roughly between 1660, when the Stuarts returned to the throne, and the 1798 publication of Wordsworth's Lyrical Ballads, with its theoretical preface and collection of poems that came to be seen as heralding the beginning of the Romantic Age. ![]()
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